Our Governance, Mission and Vision, Mandate and Administrative Philosophy
—Governance Structure
The RCA is a registered national non-profit organization. The Academy is administered by an elected Governing Council (GC) composed of delegates from all parts of Canada, on a rotating basis. The GC is comprised of a mix of Academicians and non-members elected for their expertise. The RCA Executive Committee is appointed by GC members, and is comprised of a President, two Vice-Presidents, a Secretary and a Treasurer.
—Governing Council
Robert Tombs, RCA*
President
Luc Courchesne, RCA*
Vice-President
Stüssy Tschudin, RCA*
Vice-President
Derwyn Goodall, RCA*
Secretary
Gina Jones, CPA, CA, CF, ICD.D*
Treasurer
Royden Mills, RCA
Councillor
Kyung Park, RCA
Councillor
Leslie Reid, RCA
Councillor
Udo Schliemann, RCA
Councillor
Jeremy Sturgess, RCA
Councillor
Lisa A. Pai
Councillor
*Executive Committee
—Mission and Vision
Our mission and vision are to promote excellence in the arts and to advocate for Canadian artists and artistic endeavors. The RCA encourages new generations of artists, supports innovation in all forms of artistic endeavor, and promotes the exchange of ideas related to visual culture for all Canadians.
—Mandate
Celebrating the achievement of excellence and innovation by visual artists across Canada, encouraging new generations of artists, and facilitating the exchange of ideas about visual culture for all Canadians.
—Land acknowledgement
The Royal Canadian Academy of Arts (RCA) acknowledges that our office, located in Ottawa, is on the unceded ancestral Territory of the Anishinaabe Algonquin Nation. The RCA recognizes the Algonquins as the customary keepers and defenders of the Ottawa River Watershed and its tributaries. We honour their long history of welcoming many Nations to this beautiful territory and uphold and uplift the voice and values of our Host Nation.
—Diversity statement
The arts are a form of free speech that can play a central role in any society. The diversity of the Royal Canadian Academy of Arts membership suggests that, by embracing inclusive policies, we affirm the dignity of those we serve, regardless of age, education, income, heritage, race, religion, sexual orientation, marital status, immigration status, physical or mental capabilities, or gender identity.
The RCA is committed to tolerance and understanding and acts to ensure that people can enjoy its programming free from any attempt by others to impose values, customs or beliefs. We are not complacent about our progress to date, and recognize that there is more work to be done in order to achieve diversity in all of our activities.
We have a strong contingent of linguistic minority and Indigenous members, and actively seek new members on an annual basis.
—The RCA’s Position on Artificial Intelligence
The RCA believes unequivocally that creativity, in any artistic discipline, should begin with the artist. The tools an artist chooses to bring their vision to life are just that—tools. They serve the creative vision; they do not define it.
As AI technologies become increasingly integrated into artistic practice, the RCA encourages thoughtful, responsible and transparent engagement with open-source AI tools. Their use should uphold fairness, integrity and respect for human creativity, while avoiding bias or disadvantage to any individual or group.
The RCA is committed to affirming and protecting the economic and legal rights of artists, many of whom have been deeply affected by the non-consensual use of their intellectual property in the development and training of generative artificial intelligence systems.
As generative AI technologies and the legal, ethical and creative contexts surrounding them continue to evolve, the RCA’s position will be reviewed and updated regularly to ensure it remains relevant, responsible and effective.
—What is an Academician?
Royal Canadian Academy of Arts members are invited annually to nominate accomplished individuals, from a wide range of art, design and fine craft disciplines, for membership in the RCA. Candidate submissions must include a nominator, a seconder, and three supporters. Submissions are then reviewed by a jury of RCA members, and those selected are inducted during the annual awards dinner. All participants of this process must be ‘members in good standing’ which requires the payment of annual dues.
—RCA Trust
Associated with the RCA are two trust funds, the RCA Trust and the CD Howe Trust. They are overseen by five trustees who assure that the funds are distributed as per the terms of the trusts and administered according to Canadian tax laws for non-profit organizations.
The RCA Trust is made up of past and ongoing donations by various artists and supporters of the arts. The funds generated by the RCA Trust are generally awarded to permanent regional art galleries across the country to acquire Canadian art to be exhibited to the public, as well as for special art projects. The CD Howe Trust is a single donation with its generated income awarded annually, as scholarships, to promising art and architecture students in Canada. The awards are judged and administered by the RCA.
—Acknowledgements
Traditionally supported by membership dues, grants, gifts, institutional partners, and pro bono work, the RCA thanks all its supporters. These have included, in recent years, Bob Beck, Susan Collett, Guy Lavigueur, Roger Michel, Louise Prescott, Milly Ristvedt, and Udo Schliemann; Gesta J. Abols, Ann McCall, John McColl, Helga Plumb, and Joseph-Richard Veilleux of the RCA Trust; and ex officio presidents Ron Bolt, Robert Mellin, and Barbara Vogel. Thanks also go to Agnes Etherington Art Centre; Bubu AG; Carlyle Design Associates; Crabtree Foundation; Colbourne & Kembel, Architects, Inc.; CSARN; Digital Arts Resource Centre; Druckerei Odermatt AG; Elektronmusikstudion EMS; GRC Architects; Lawson Hunter; Institute for Digital Archaeology; IOTA Institute; Jackman Foundation; Lowe-Martin Group; Ottawa Art Gallery; Ottawa School of Art; University of Ottawa; Ottawa Community Foundation; RCA Governing Council, Royal Canadian Geographical Society; and SUPERMARKET: Stockholm Independent Art Fair. We also are pleased to acknowledge the support of the Canada Council for the Arts and Crabtree Foundation.
Photos courtesy of Tom Bartlett, Bob Beck, Tom Blanchard, Meike Bölschemeyer, Pierre Charrier, Amanda Dawn Christie, Philippe Crowe, Kristiaan Dekeijser, Maryn Devine, Josée Dubeau, Christine Fitzgerald, Thaddeus Holownia, Ki Jun Kim, Guy Lavigueur, François LeClair, Trevor Mills, National Gallery of Canada, Neeko Paluzzi, Barry Pottle, Penelope Stewart, Topley Studio/Library and Archives Canada, Justin Wonnacott and Martin Zellerhoff.
Web site design by Robert Tombs and Bob Beck for DesignSociety. Typeset in Kade, designed by David Quay for ReType Foundry. Translation by Colette Tougas.